Alienated

3.5 out of 5 Stars

Two years ago, the aliens made contact. Now Cara Sweeney is going to be sharing a bathroom with one of them.  

Handpicked to host the first-ever L’eihr exchange student, Cara thinks her future is set. Not only does she get a free ride to her dream college, she’ll have inside information about the mysterious L’eihrs that every journalist would kill for. Cara’s blog following is about to skyrocket.

Still, Cara isn’t sure what to think when she meets Aelyx. Humans and L’eihrs have nearly identical DNA, but cold, infuriatingly brilliant Aelyx couldn’t seem more alien. She’s certain about one thing, though: no human boy is this good-looking.

But when Cara's classmates get swept up by anti-L'eihr paranoia, Midtown High School suddenly isn't safe anymore. Threatening notes appear in Cara's locker, and a police officer has to escort her and Aelyx to class. 

Cara finds support in the last person she expected. She realizes that Aelyx isn’t just her only friend; she's fallen hard for him. But Aelyx has been hiding the truth about the purpose of his exchange, and its potentially deadly consequences. Soon Cara will be in for the fight of her life—not just for herself and the boy she loves, but for the future of her planet. (from Goodreads.com)

I just read a scathing review of this book on Goodreads. Was it flawless? No. Were the characters in-depth and multi-dimensional? Not in the slightest. Was it entertaining? It was decent. 

I wouldn't say this book was awful, but I wouldn't say it was amazing either. It's right there in the middle for me. Mediocre. The writing isn't terrible. There was humor which I enjoyed. The premise was interesting. The scathing review said it wasn't creative but I beg to differ. The idea of an alien exchange program is pretty inventive. 

Let's talk about the characters for a bit, first. 

Cara starts out smart and savvy, a fiery redhead with determination. But as the story goes along she becomes more and more of a victim. She lets things happen to her and I didn't like that. For someone who was supposed to be so determined, stubborn, and headstrong, she was sure a pushover. She runs a blog that's pretty witty at first. Her journalistic need to find the truth is pretty much nonexistent once she decides she is in love with the alien boy. All of her friends abandon her, yet she still chooses Aelyx. Now what teenage girl who is even remotely popular at school do you know that would throw all of her friends and her ranking away for a boy everyone else hates? Especially as her life gets threatened. Cara seems to have a whole different moral set than most girls her age. I kinda wish there was more fight in her. That she would have started blaming Aelyx and searching for the truth behind some of his sketchy ways rather than becoming a milk-toast and sappy girl who falls for the mysterious bad-boy. Landers could/should have really honed in on Cara's journalist traits, have her discover the truth herself, and then have to decide if she would expose him or if she would keep his secret simply because somewhere in the ride she had fallen in love with him. That is the true conflict, to me, but it gets glossed over. Or something. I'm not even sure. 

There's a part when she is confronting Aelyx and wants the truth. How does he get away with not telling her? He starts touching her. Instead of seeing through it, Cara gets all weak in the knees for him. What is that teaching girls? That their man can do anything he wants as long as he kisses her and swoons her just right. Ugh. 

And Aelyx. The alien boy. I'm not sure why he suddenly falls for Cara. It seems to come out of nowhere especially after how much he supposedly hates Earth and humans. He obviously hates Earth enough to come up with a plot with his friends to destroy Earth. Even after discovering said plot, Cara is angry but eventually takes him back because he's misunderstood? What? And what's with the aliens looking just like humans? Landers could have had some sort of Beauty and the Beast thing going where Cara sees past an intimidating, otherworldly exterior and falls in love with him. 

Tori. I enjoyed her spunk. But then she becomes stereotypical and betrays Cara for what? No good reason. For someone who was supposed to be even more fiery and stubborn than Cara, she sure turned her back quickly. While we later find that she wasn't entirely a traitor, it still just plays off as too convenient and dramatic for the plot. 

Eric. Stereotypical jock. I'm not sure where the attraction is with Cara and him or how they became involved. I think it would have been better if they were just platonic friends that grew apart and Cara sees him and Tori hooking up as an extra stab in the back. 

The parents. So goody-goody for their own good. Always making out which is gross. I'm not sure why that needed to be in the story. And they let their daughter get away with murder. And they hold their ground even as their jobs and social lives are at stake. I'm not sure I know of any parent who would actually do that. You would think at least one of them would start thinking "Hey maybe we should send the alien back before the town decides to tar and feather us." 

The ambassador. Aelyx's ambassador or whatever is supposed to look old but not really be old. He's also monotone. I understand why Landers has him that way and it gets explained, but he's supposed to be a somewhat antagonist yet he ends up being forgettable because he's so drab. Speaking of antagonist...I'm not really sure who the actual antagonist is in this book. Was it Aelyx? Is it The Way? Is it Cara? There's just no telling. 

Syrene and Eron. Aelyx's friends are alright. They serve as points to help move the story along but Syrene is too angry all the time to relate to. Eron doesn't get enough stage time to really be significant. 

Despite the flaws in the character building, I didn't mind it. There are other YA books I've read where I have been frustrated with the characters all the way through reading. That wasn't the case with this. I just wish, for once, authors would create a love story that wasn't perfect, where the characters made stupid decisions and lived with those choices, where the headstrong girl stayed true to her character and didn't get swayed by some handsome stranger. 

That brings me to the themes in the book. This is where I think Landers did a good job. She shows that tolerance and discrimination are real human acts. Cara does serve as the ideal in this aspect. She sees how her classmates and people in her town treat Aelyx and she sees a problem with it. Her parents stand up for Aelyx constantly. Looking at Alienated as a lesson in acceptance and overcoming differences sheds a whole new light on it. Beyond the obligatory romance (really, I don't understand the attraction just like with most YA novels out there) we find a story of how humans treat those who are different which is a theme that is entirely relevant in our time (Ferguson riots ring any bells?). 

While I didn't hate this book, I also don't think it was my favorite. Now, that being said, I didn't like Divergent when I first read it also. It took reading the second and third books and watching the movie for me to really fall in love with that story. I will continue to read what Landers has to offer with this series. Hopefully she can add some elements and depth that will catapult it from mediocre to outstanding. 

Panic

WOOT WOOT!

Panic began as so many things do in Carp, a dead-end town of 12,000 people in the middle of nowhere: because it was summer, and there was nothing else to do.

Heather never thought she would compete in Panic, a legendary game played by graduating seniors, where the stakes are high and the payoff is even higher. She’d never thought of herself as fearless, the kind of person who would fight to stand out. But when she finds something, and someone, to fight for, she will discover that she is braver than she ever thought.

Dodge has never been afraid of Panic. His secret will fuel him, and get him all the way through the game, he’s sure of it. But what he doesn't know is that he’s not the only one with a secret. Everyone has something to play for.

For Heather and Dodge, the game will bring new alliances, unexpected revelations, and the possibility of first love for each of them—and the knowledge that sometimes the very things we fear are those we need the most. (From Goodreads.com)

I devoured this book. Oliver is a constant favorite of mine in the YA genre. She has a knack for capturing imagery and emotion. This book was interesting because it felt dystopian but it was set in present day America. The characters are believable and developed well. The romance between Bishop and Heather doesn't seem forced in any way. All in all an excellent read and another gold star for Miss Oliver. Fans of her Delirium trilogy won't be disappointed, however, it takes some adjusting because it isn't as fast-paced and breathtaking as those books. I do like, though, that Oliver has managed to create a world like the Hunger Games set in our own present-day life. That, in itself, is a statement. 

Red Rising

Woot! Woot!

I devoured the beginning of this book. The different landscape and futuristic world on Mars was intriguing to me. Darrow is an awesome protagonist because he has flaws of a godlike superhero. Rage, vengeance, pride drive him to carve away his low Red upbringing and become a Gold to take down the unjust caste system of which he and his family have suffered from for years. He loses his wife which is the driving force behind what he does. It is all very creative and grandiose. Pierce Brown has created a world unlike any other I have ever read. 

It has hints of Hunger Games influence as Darrow is forced to compete against other Golds to be the greatest and be picked to lead fleets and armies of Mars. It is much more gruesome and graphic than Hunger Games but the story is geared more toward a mature audience. 

There is a lull in the story about three quarters of the way in where Brown almost lost me but I pushed through and the pay off was great. The ending has a few twists and it ends with a thrilling call for him to Rise, marking his first move in his rebellion. The battle has only just begun and Darrow has shown himself to be a threat to be reckoned with. 

I look forward to the next installment, Golden Son, in this exciting series. Highly recommended for sci-fi and adventure readers. 

The Fault in Our Stars

WOOT WOOT!

Every once in awhile a book comes along that changes you. When you find that book you find yourself thinking about it well after you've finished it. You set it down regretfully while you're reading it because you don't want to put it down. Once it is finished you are sad that it is over. The Fault in Our Stars was one of these books for me. 

For a brief synopsis: The narrator is Hazel, a sixteen-year-old girl who has dealt with cancer all her life. Her form of cancer, once it was eradicated from her body, left her with fluid in her lungs and the fear that she could get it all again. She meets a boy, Augustus Waters, who is another cancer patient. His cancer left him with an amputated leg. An unlikely and, seemingly, doomed romance ensues between the two. 

I loved the symbolism in this book. It's something you don't see very much in popular literature these days. People are up for instant gratification and no longer like to delve into the deeper meaning of what they read. 

John Green said he wanted to create  a story that showed a less glamorous look at the life of cancer. Throughout the story Hazel demeans this when someone from her support group dies and their Facebook wall lights up with posts about how wonderful, brave, and perfect that person was when, in reality, these people never knew the real person. Being a victim of cancer or a cancer survivor or a cancer patient, in and of itself, is enough to raise you to sainthood. This is one of the ideals Hazel remains constant about and I think it's because Green is trying to tell us that it is ok to humanize the dead, the cancer patient, and the victim. Celebrate that they were human and they lived a life that wasn't altogether perfect but they made the most of it. 

Hazel is very grim at first. She goes around thinking she's a walking time bomb. I loved her voice through Green's writing. She is a smart, intelligible and reliable narrator. There are moments of great insight and others of entertaining humor that all make Green's novel entertaining and valuable to any library. 

Augustus is a strong hero. I was uncomfortable when his illness started making him into a whiny, gloomy child, but Green explained that he did that on purpose. He wanted to show that death is not a pretty thing. Cancer is not pretty. 

I cannot gush on enough about this book. It has humor, romance, history, symbolism, allusion, great dialogue, awesome writing, and a fine attention to detail. You can tell the author has worked hard to create a story that is both entertaining and affective. I highly recommend it to anyone, but I also recommend that you have a tissue or two handy for the ending. 

Allegiant

WOOT WOOT!

WARNING: SPOILERS AHEAD! If you have not read or finished reading this book, come back when you have finished it. Unless you like spoilers, then be my guest. 

There has been a lot of hullabaloo about how Veronica Roth decided to finish this trilogy, and I have to admit it took some guts. I was shocked, at first, and I thought "No way. There's absolutely no way she has me all rooting for Tris and seeing how badass a character she was only just to kill her. This has to be a joke." No joke. 

However, the more I thought about it, the more I realize how fitting it was. And just how beautiful and poetic Tris' death was. It had to happen. I won't go into detail about all that. I can't spoil everything. But just pay attention or think about how Roth spins it at the end. It would actually be out of character for Tris to survive their final attack. She'd been looking for a way to prove herself and to make an impact in the world since Page 1.  As Tobias says "I suppose a fire that burns that bright is not meant to last." 

Throughout this whole trilogy I was skeptical and iffy about Roth. Her writing just feels so stifling at times. Maybe that's not the right word. Perhaps more along the lines of stilted, held back, limited. But now I see the beauty in it. And maybe she was doing that on purpose to make the reader feel just as stilted, limited, and held back as her characters felt in their factions. You can witness her beautiful prose when Tobias and Tris are together. I looked forward to those moments as much as Tris did because, not only is Tobias a sweet hunk of man, that was where the writing flowed and felt comfortable. Now I know it was all done on purpose. At least I would like to think so. Roth managed to use her writing style to evoke emotion which shows true talent and a sharp mind behind the words. At face value, her writing may not stand up to her peers, but she has won me over. Despite her dirty rotten trick at the end. 

Since I'm on the subject of Tris and Tobias, that's actually what I would prefer to focus on for the rest of this review. I actually had no intention of mentioning Tris dying because I hate spoilers, but I felt like I should pay homage to Roth's badass decision that I'm sure was even more devastating to her. As a writer also, I can't imagine killing off the main character in my book. 

Tris and Tobias have a tumultuous relationship. I'd get annoyed with them fighting all the time and Tris always getting mad that Tobias didn't trust or believe her. Then she'd run off and do something stupid so I'd side with Tobias because, girl, ya nearly got everyone killed. I've said it before, though, I love that Roth did not inject a stupid love triangle. I loved that it was Tobias and Tris out to save the world together. 

Allegiant has some beautiful quotes about love and life. I found the simple and realistic view that Tris had was quite powerful. Mind you, I hated Tris in book one. She was immature and seemed to make decisions because it fit the plot. I just didn't understand her. But by the end of the book and the scene where she sacrifices herself for her friends and the future, you see just how much she has grown and changed. I had to sit and stew with this for awhile because when I first closed the book when I was finally done, I wanted to throw the book. 

Enough of that. I said I wouldn't talk about that anymore. Back to the love thing.

One of my favorite quotes is one that I will probably always remember because it is just so perfect. Here this is Tris talking after she and Tobias have made up after yet another fight:

I used to think that when people fell in love, they just landed where they landed, and they had no choice in the matter afterward. And maybe that's true of beginnings, but it's not true of this, now.

I fell in love with him. But I don't stay with him by default as if there's no one else available to me. I stay with him because I choose to, every day that I wake up, every day that we fight or lie to each other or disappoint each other. I choose him over and over again, and he chooses me (372). 

The whole trilogy is about choices. Choices define you. Choices transform you. Choices destroy you. I think Tris' love with Tobias was her saving grace. That she found that love was the choice that defined her, not a faction or anything anybody said she was. 

I'm falling more in love with this trilogy the more I write about it and think about it. 

Insurgent

I haven't been able to look it up, but I'm pretty sure my review of Divergent was pretty scathing. The first book in the trilogy was, in my mind, stunted by a leading character who was not reliable and made decisions that just seemed to move the story forward rather than what she would do to fit her. I'll admit, I did not have any desire to finish the series, but I saw a preview for the movie and was surprised how enticing it looked. The movie looked better than I had remembered the book ever being. So I decided to give it another try and read the second book.

Insurgent was a step up. Roth's writing is getting better and better. I really loved the moments between Tris and Tobias. They seemed to be when Roth's writing really sung and flowed smoothly.

This book was entertaining. The storyline is pretty believable. I don't think Jeanine is a really threatening antagonist despite Roth's attempts to paint her as a monster. She's just not seen enough for me to really get a grasp of why she does what she does.

One of the more thrilling scenes that I remember is when one of the characters, under the influence of a simulation serum, jumps to her death off a building. This is a showing point to me and, even though it was an awful scene because of what happened, it showed Tris as a heroine. I was finally able to trust her as the protagonist. Too bad Tobias and others still can't trust her after that.

That being said, the cycle gets tired. Tobias and Tris seem to constantly battle each other. She seems to be constantly trying to prove herself to this guy that supposedly loves her. There are times I just want to smack both of them upside the heads for being so stubborn. I understand stubbornness is a quality that is desired in protagonists these days, especially in YA literature, but so is humility. There needs to be a point when one of them gives in and realizes that they were wrong. I'm still waiting for that moment to come for one of these characters.

So many times in YA literature there is a love triangle. That story gets old. And for some reason it's usually two gorgeous guys with some sort of magical ability who are inexplicably drawn to a very normal, average teenage girl. I have called this the Twilight Syndrome in posts before. If nothing else, the Divergent series steers clear of the Twilight Syndrome. It is a breath of fresh air that the main character only has one love interest. Honestly that's more true to life. I don't know about you, but I've never been in a love triangle. Maybe I just lead a sheltered life.

I highly recommend this series to young adults. However, be warned, it is pretty dark. Characters die off quickly. If that's not your cup of tea and you get attached to side characters quickly, you may want to stay away from this dystopian thriller, but I think you'll be missing out on an entertaining and imaginative read.

Reached

Rating: 3 out of 5 Red Pills

After leaving Society and desperately searching for the Rising—and each other—Cassia and Ky have found what they were looking for, but at the cost of losing each other yet again: Cassia has been assigned to work for the Rising from within Society, while Ky has been stationed outside its borders. But nothing is as predicted, and all too soon the veil lifts and things shift once again.

In this gripping conclusion to the #1 New York Times-bestselling Matched trilogy, Cassia will reconcile the difficulties of challenging a life too confining, seeking a freedom she never dreamed possible, and honoring a love she cannot live without.

(from Goodreads. com)

 

I don't know what it is about trilogies, lately, and the Third Book Syndrome. Condie's trio has potential. And this is why I have a love-hate relationship with it. The idea is good, and it works, but it didn't work for me. I don't know. Condie writes beautifully at times. There were a few gems of wisdom in each of the books, commentaries on life and human nature that I thought were priceless, but there seemed to be a disconnect. 

Ok, compared to other YA fiction out there right now, Condie's novels have more depth and the love stories are a little more believable, but I couldn't help feeling like it was missing something. Cassia is likable, but she isn't relatable. I don't feel like her character, as the heroine, leaps out of the pages for any special reason. At least she isn't a moody character and she is determined all the way through to the very last page, but I think because she didn't have fluctuations in her mood is why she was so unrealistic to me. She'd cry or she'd have these flashbacks but she never got angry. Of all the people in this series to get angry, Cassia is the one who should have been screaming mad. I wanted emotion and all I got was a pretty monotone character. Her insights are beautiful, and she becomes a way for Condie to show that it is the arts and the ability of humans to create that is going to save us someday. 

Ky was the best character throughout all of it because he was the most in-depth. He had more emotion behind him. However, I hated that he was so okay with Xander being in love with the girl he loved. So when the characters have emotions in this series it doesn't feel like something a normal person would feel. 

Xander is okay. He seems to shine the most in this book and he doesn't get very much mention in the other two books. He's kind of a side figure. The poor fella who got Matched to Cassia who doesn't love him. And then we are introduced to Lei in a sad way to match him off with someone else so the Cassia and Ky can live happily ever after. It felt like the whole Renesmee/Jacob fiasco in the last book of the Twilight series. Hey, let's introduce a new character for my third member in the love triangle so he can also be happy and my main duo can have their love. I'm sorry, but real life doesn't work that way. It's messy. And I wanted there to be mess in this book. I wanted there to be raw emotion. I mean...hello, The Society is being overthrown and nobody seemed to care. I won't spoil it, but I just feel like that should have been handled differently.

 Now to the Pilot thing. My other big gripe about this. Two whole books of the buildup of "Who is The Pilot?" Then it's just some random guy we never heard of. Nor do we ever get a freaking name or a description of this guy. I'm not sure I understand the point of that. And then we suddenly had Pilots popping up everywhere. Indie was a Pilot? We are all Pilots? Meaning we all determine our own destiny? I was so confused. I wanted the Pilot to be Cassia or Ky or even Xander. That would have made literary sense. 

Ok. Enough of the gripes. I have to give Condie props for some really beautiful writing. Especially in the first two books. Her descriptions were very handy and well-crafted. Where story line and emotion seemed to fail, her writing picked up the slack. When I finished the second book, I wasn't sure I wanted to finish the last book because the whole business in The Carving felt plotless and too wander-y for my taste. But it was Condie's writing that brought me back. I will continue to watch for her career in the future because I definitely think she's a gifted writer. I just think she needs some help in the conveying emotion department. 

Addendum: Now that I think of it, this book actually reads a lot like Ayn Rand's Anthem which is an amazing and very short book. The plotline seems about the same. But, Rand was still able to convey some very real emotion in characters that didn't even have names. So it can be done.  

Every Day

Rating: 4.5 out of 5 Inhabited Bodies

Every day a different body. Every day a different life. Every day in love with the same girl.

There’s never any warning about where it will be or who it will be. A has made peace with that, even established guidelines by which to live: Never get too attached. Avoid being noticed. Do not interfere.

It’s all fine until the morning that A wakes up in the body of Justin and meets Justin’s girlfriend, Rhiannon. From that moment, the rules by which A has been living no longer apply. Because finally A has found someone he wants to be with—day in, day out, day after day. (from Goodreads.com)

I read David Levithan's latest book in one day. Granted, it's not a mammoth of a novel, but it isn't short by any means either. To me, this is an indication of how good it is. 

The plot is strange. It recalls to mind Stephenie Meyer's The Host and Quantum Leap and Lauren Oliver's Before I Fall. Despite the strange premise, Levithan makes it believable and his protagonist is sympathetic and you want him to succeed and to figure out a way for things to work. 

It starts off without any messing around. A, our protagonist, is in the body of Justin. Right away he meets Rhiannon and finds himself connecting and attaching to her when he used to keep himself within the confines of his host's daily lifestyle. With Rhiannon, A starts breaking his own rules. She even becomes the first person he tells about what he is and what he does. Their mutual attachment is believable because Rhiannon doesn't give in right away. Her reactions are just what I would expect a normal person to do if faced with this situation. Disbelief, fascination, disgust, and so on. 

When it comes down to it, Every Day is a fantastic commentary on the human condition. This person sees life through the eyes of a different person every day. He understands bodily limitations because he's felt every single one. He understands addictions. He understands attraction and how it is not limited to gender. At the core of this is a love story. A and Rhiannon's love transcends rules and order, defies what we believe, because it shows that you can fall for what's inside a person, not what's inside. One of my favorite quotes from the book illustrates this point:

"What is it about the moment you fall in love? How can such a small measure of time contain such enormity? I suddenly realize why people believe in deja vu, why people believe they've lived past lives, because there is no way the years I've spent on this earth could possibly encapsulate what I'm feeling. The moment you fall in love feels like it has centuries behind it, generations--all of them rearranging themselves so that this precise remarkable intersection could happen. In your heart, in your bones, no matter how silly you know it is, you feel that everything has been leading to this, all the secret arrows were pointing here, the universe and time itself crafted this long ago, and you are just now realizing it, you are just now arriving at the place you were always meant to be."

I highly recommend this novel to anyone looking for a unique love story with incredibly surprising depth and really good prose. It's a fast, quick-paced read so don't be scared to pick it up. I gave it a generous 4.5 out of 5 Inhabited Bodies. 

Beautiful Creatures

Rating 3 out of 5 Magical Lollipops

Lena Duchannes is unlike anyone the small Southern town of Gatlin has ever seen, and she's struggling to conceal her power, and a curse that has haunted her family for generations. But even within the overgrown gardens, murky swamps and crumbling graveyards of the forgotten South, a secret cannot stay hidden forever.

Ethan Wate, who has been counting the months until he can escape from Gatlin, is haunted by dreams of a beautiful girl he has never met. When Lena moves into the town's oldest and most infamous plantation, Ethan is inexplicably drawn to her and determined to uncover the connection between them.

In a town with no surprises, one secret could change everything. (from Amazon.com)

I always find that when I start skimming in a book that it is a sign of a merely mediocre, or less, book. Beautiful Creatures started out really good. The mystery was intriguing and the setup was nice, but then something stopped for me. Maybe it was just the style of writing. Maybe I just got tired of hearing everything from Ethan's point of view. I don't know what it was. The imagery is nice in the story and it has potential. I'm still very excited to see what they do with it for a movie (I can already tell you that the book and movie are NOTHING alike just from the previews) and the concept is, well, beautiful. There just seemed to be something missing. Depth, maybe?

Lena and Ethan aren't the worst couple I've seen in YA literature. There is actually enough tension and meaning behind their relationship that I was satisfied, but it still felt like they fell in love really fast. Call me old and cynical, so much so that I can't believe in young love anymore, but I was skeptical. If you're going to put two people together in a story and have it come down to life-and-death that they stay together, then make their love so solid and believable that I want them to be together. This, sadly, was just another case of "Hey, we're writing them this way so you have to go with it." I hate being forced to want two people together. However, I'm not entirely against it. I think what would have helped is to have interchanging points of view between Ethan and Lena. Ethan is reliable but, at times, he's too far removed from the central points of the story to be a main voice. Lena doesn't really fully develop and, even by the end, I don't feel like I fully understand her. I just see Ethan's view of her and that is skewed a little.

There are also scenes with rituals (Lena's birthday and Halloween) where it gets confusing. The descriptions, while sometimes beautifully written, are so shifty that it left me spinning. I didn't know what was going on so I'd lose interest because it was hard to figure out. The visions with the locket was interesting, but that line of the story gets dropped early. I liked the whole Civil War backdrop of the story and the old Ethan and Genevieve's story that parallels Ethan and Lena's. That was nice.

I don't know. This book was decent and I might read more, but I'm also okay with not. I'm interested to see what happens with Lena and her mom (a big part of the storyline that doesn't really get fully developed) and to see the continuing saga of Ethan and Lena and how their love develops. But, for now, I will probably leave Gatlin and return another time.

City of Bones by Cassandra Clare

I remember seeing this book at Barnes and Noble and not being all that interested. Then my aunt mentioned it to me so I decided to give it a try. I'm very glad I did because it is quite enjoyable.

The writing is very good. Cassandra Clare has a flare for precise detail and very raw imagery with her use of metaphor and simile. I loved the dialogue because it was realistic and I could picture teens actually talking that way. They weren't teens that sounded like adults or like children; they were teens.

Clare uses Dante's Inferno to create her world of Shadowhunters, demons, warlocks, witches, vampires, werewolfs, fairies, and other magical creatures. I like this because it exposes teens (her target audience) to a classical piece of literature that they, otherwise, would not know about.

I do have some qualms with the story though. (Warning: Spoilers ahead!) Why would Clare go through the trouble of creating this romance between Jace and Clary only to have the big twist at the end revealing that they are brother and sister? I'll admit I actually knew it was coming because I had read the synopsis of the next book, City of Ashes. So while Clare was building up this romance, I kept thinking, Sick, I know they're going to find out they're related. Why is she doing this to me (the reader)? I'm sure she has a good explanation for it, but it saddens me because I really liked the chemistry between Jace and Clary.

That brings me to my other complaint. This might be because I am not the target audience. I don't think the target audience for this book is a 26 year old white male, English major, and an aspiring writer. That being said, for her target audience I don't think this is the case. I just think that some of it was too predictable. Not just the relationship between Clary and Jace, but also some of the big "revelations." Granted, it is a nice tool to have the characters be oblivious to things the reader is all-too aware of, but sometimes that can be overdone. While I love Clary, she is not exactly smart sometimes. But I think that could also be simply because she's a teenage girl. It is also a nice payoff for the reader to be right sometimes when they predict what is going to happen. That being said, even though a good portion of the book is predictable, there are a few things that Clare throws in that are pleasant surprises. It is moments like these that you realize you are in the hands of a true storyteller with pure talent. And, no matter how predictable it is, you can't help but enjoy the ride.

I am really excited to read the next book in the trilogy. I've been on a teen fiction kick lately for some reason, and this is definitely a good read in that genre.

The Hunger Games

I wanted to put a hundred exclamation points after I typed in the title of this book for the title of this post. What a wild ride this book was and I am playing it cool and trying to pretend that the next book is not begging to be read right now so I can quickly write this review.

Brief plot summary: The book takes place in a future in which the land that used to be called North America is now Panem: a country divided into twelve districts each of which are controlled by the Capitol. Each year they perform what is called the reaping in which contestants from each district are drawn from a lottery. These tributes, as they are called, are to be placed in an arena to take part in The Hunger Games, a battle for life and death that is aired on television. Katniss is from District Twelve. She takes the place of her little sister as tribute. Then she is swept into a world of high society and fashion as they prepare her to enter the arena.

I have to say this book had me from the get-go. The writing is very direct. Collins manages to show a depth to a young adult story that is hard to find. It is a very physical book. I became very aware of how blessed we are in this country with all the things we have at our fingertips when Katniss and those in her district have to scrounge for every bit of food they can get. The things we take for granted today are luxuries in this future society.

There is also romance in this book but it's played differently than your average heartthrob romance (Twilight anyone?). Katniss is forced to pretend that she is in love with fellow District Twelve tribute Peeta who is also known as the boy with the bread. In order to survive she has to make this love look believable and sometimes that is harder than you'd think. For Peeta, however, it is not hard to pretend because he seems to actually be infatuated with her as he tells of how he's been in love with her since they were little kids.

I don't want to spoil anything for you if you have not read the book so I am going to make one more quick comment about the characters. I loved that the descriptions of each character was sparse enough to let my imagination do the rest but there was enough there that I was not led astray. On YouTube you can find several fans who have cast their opinions as to who should play whom in a movie (they are actually in talks of a movie that is supposed to come out in 2011).

After reading the book I disagree with just about all the choices I saw. Hands down everyone has this scrawny pretty-boy playing Peeta. Wrong-o. Peeta is supposed to be big and able to throw around big bags of flour. For Katniss they usually have some dainty looking girl (most people have gone with Emily Browning). Umm...This girl kicks serious butt and she never describes herself as dainty. Most of the choices just suck. I really think the actors who play the characters cannot be too pretty and perfect. They need to have a somewhat savage look to them and they cannot be incredibly scrawny looking. Hopefully Hollywood doesn't screw that up. I actually picture Katniss to have a gymnast's build from all her climbing trees, hiking, and hunting.

There you have it. Go read the book if you haven't already! I'm off to start the second book, Catching Fire!!!! (There are my exclamation points)