Showing posts with label Veronica Roth. Show all posts
Showing posts with label Veronica Roth. Show all posts

Wednesday, January 22, 2014

Allegiant



WOOT WOOT!


WARNING: SPOILERS AHEAD! If you have not read or finished reading this book, come back when you have finished it. Unless you like spoilers, then be my guest. 

There has been a lot of hullabaloo about how Veronica Roth decided to finish this trilogy, and I have to admit it took some guts. I was shocked, at first, and I thought "No way. There's absolutely no way she has me all rooting for Tris and seeing how badass a character she was only just to kill her. This has to be a joke." No joke. 

However, the more I thought about it, the more I realize how fitting it was. And just how beautiful and poetic Tris' death was. It had to happen. I won't go into detail about all that. I can't spoil everything. But just pay attention or think about how Roth spins it at the end. It would actually be out of character for Tris to survive their final attack. She'd been looking for a way to prove herself and to make an impact in the world since Page 1.  As Tobias says "I suppose a fire that burns that bright is not meant to last." 

Throughout this whole trilogy I was skeptical and iffy about Roth. Her writing just feels so stifling at times. Maybe that's not the right word. Perhaps more along the lines of stilted, held back, limited. But now I see the beauty in it. And maybe she was doing that on purpose to make the reader feel just as stilted, limited, and held back as her characters felt in their factions. You can witness her beautiful prose when Tobias and Tris are together. I looked forward to those moments as much as Tris did because, not only is Tobias a sweet hunk of man, that was where the writing flowed and felt comfortable. Now I know it was all done on purpose. At least I would like to think so. Roth managed to use her writing style to evoke emotion which shows true talent and a sharp mind behind the words. At face value, her writing may not stand up to her peers, but she has won me over. Despite her dirty rotten trick at the end. 

Since I'm on the subject of Tris and Tobias, that's actually what I would prefer to focus on for the rest of this review. I actually had no intention of mentioning Tris dying because I hate spoilers, but I felt like I should pay homage to Roth's badass decision that I'm sure was even more devastating to her. As a writer also, I can't imagine killing off the main character in my book. 

Tris and Tobias have a tumultuous relationship. I'd get annoyed with them fighting all the time and Tris always getting mad that Tobias didn't trust or believe her. Then she'd run off and do something stupid so I'd side with Tobias because, girl, ya nearly got everyone killed. I've said it before, though, I love that Roth did not inject a stupid love triangle. I loved that it was Tobias and Tris out to save the world together. 

Allegiant has some beautiful quotes about love and life. I found the simple and realistic view that Tris had was quite powerful. Mind you, I hated Tris in book one. She was immature and seemed to make decisions because it fit the plot. I just didn't understand her. But by the end of the book and the scene where she sacrifices herself for her friends and the future, you see just how much she has grown and changed. I had to sit and stew with this for awhile because when I first closed the book when I was finally done, I wanted to throw the book. 

Enough of that. I said I wouldn't talk about that anymore. Back to the love thing.

One of my favorite quotes is one that I will probably always remember because it is just so perfect. Here this is Tris talking after she and Tobias have made up after yet another fight:

I used to think that when people fell in love, they just landed where they landed, and they had no choice in the matter afterward. And maybe that's true of beginnings, but it's not true of this, now.

I fell in love with him. But I don't stay with him by default as if there's no one else available to me. I stay with him because I choose to, every day that I wake up, every day that we fight or lie to each other or disappoint each other. I choose him over and over again, and he chooses me (372). 

The whole trilogy is about choices. Choices define you. Choices transform you. Choices destroy you. I think Tris' love with Tobias was her saving grace. That she found that love was the choice that defined her, not a faction or anything anybody said she was. 

I'm falling more in love with this trilogy the more I write about it and think about it. 




Saturday, January 11, 2014

Insurgent



I haven't been able to look it up, but I'm pretty sure my review of Divergent was pretty scathing. The first book in the trilogy was, in my mind, stunted by a leading character who was not reliable and made decisions that just seemed to move the story forward rather than what she would do to fit her. I'll admit, I did not have any desire to finish the series, but I saw a preview for the movie and was surprised how enticing it looked. The movie looked better than I had remembered the book ever being. So I decided to give it another try and read the second book.

Insurgent was a step up. Roth's writing is getting better and better. I really loved the moments between Tris and Tobias. They seemed to be when Roth's writing really sung and flowed smoothly.

This book was entertaining. The storyline is pretty believable. I don't think Jeanine is a really threatening antagonist despite Roth's attempts to paint her as a monster. She's just not seen enough for me to really get a grasp of why she does what she does.

One of the more thrilling scenes that I remember is when one of the characters, under the influence of a simulation serum, jumps to her death off a building. This is a showing point to me and, even though it was an awful scene because of what happened, it showed Tris as a heroine. I was finally able to trust her as the protagonist. Too bad Tobias and others still can't trust her after that.

That being said, the cycle gets tired. Tobias and Tris seem to constantly battle each other. She seems to be constantly trying to prove herself to this guy that supposedly loves her. There are times I just want to smack both of them upside the heads for being so stubborn. I understand stubbornness is a quality that is desired in protagonists these days, especially in YA literature, but so is humility. There needs to be a point when one of them gives in and realizes that they were wrong. I'm still waiting for that moment to come for one of these characters.

So many times in YA literature there is a love triangle. That story gets old. And for some reason it's usually two gorgeous guys with some sort of magical ability who are inexplicably drawn to a very normal, average teenage girl. I have called this the Twilight Syndrome in posts before. If nothing else, the Divergent series steers clear of the Twilight Syndrome. It is a breath of fresh air that the main character only has one love interest. Honestly that's more true to life. I don't know about you, but I've never been in a love triangle. Maybe I just lead a sheltered life.

I highly recommend this series to young adults. However, be warned, it is pretty dark. Characters die off quickly. If that's not your cup of tea and you get attached to side characters quickly, you may want to stay away from this dystopian thriller, but I think you'll be missing out on an entertaining and imaginative read.

Monday, September 5, 2011

Divergent


Rating: 2 out of 5 Factions

In Beatrice Prior’s dystopian Chicago world, society is divided into five factions, each dedicated to the cultivation of a particular virtue—Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). On an appointed day of every year, all sixteen-year-olds must select the faction to which they will devote the rest of their lives. For Beatrice, the decision is between staying with her family and being who she really is—she can’t have both. So she makes a choice that surprises everyone, including herself.

During the highly competitive initiation that follows, Beatrice renames herself Tris, and struggles alongside her fellow initiates to live out the choice they have made. Together, they must undergo extreme physical tests of endurance and intense psychological simulations, some with devastating consequences. As initiation transforms them all, Tris must determine who her friends really are—and where, exactly, a romance with a sometimes-fascinating, sometimes-exasperating boy fits into the life she’s chosen. But Tris also has a secret: one she’s kept hidden from everyone, because she’s been warned it can mean death. And as she discovers unrest and growing conflict that threatens to unravel her seemingly-perfect society, she also learns that her secret might be what helps her save those she loves . . . or it might be what destroys her. (from VeronicaRothBooks.blogspot.com)

Dystopian societies seem to be the newest craze in young adult literature. I've picked up this book a few times before I actually decided to read it. The cover is enticing. Yes, I tend to judge a book by its cover. You're a liar if you say you don't. Roth's synopsis of the book is exciting, and the idea is really quite intriguing. However, as I got reading it, I saw so many holes in the story that I felt could have been covered with a good, solid editing. Or maybe a few more brainstorming sessions on the author's part. Perhaps she meant to leave things unanswered until the next book, but there is a vast difference between mystery that works and mystery just for the sake of mystery. At times I felt like Roth was underestimating her reader a lot. Granted, I am older than her target audience, but the young adult genre should be a little more expansive. Especially a book that is being likened to The Hunger Games and Twilight.


Beatrice, or Tris as she comes to call herself, is not a likable hero. Not in the least. I could not connect with her. Katniss in The Hunger Games was at least vulnerable at times. Tris is selfish. We get sort of plopped into it though. We don't understand why she hates her faction so much. We don't understand her big choice to change factions and why it is such a big deal for her as a character. It's just unheard of that someone from Abnegation would go Dauntless. I needed more reason than that. Yes, the two factions are completely opposite, but why did Beatrice decide to do it? I'm still unsure.


Going off of that...Tris' relationships seem forced. Especially her romantic aspirations for Four. At some level I like that her friendships are forced because she even says so herself that she's not sure how to be friends with people. It would have been nice if she would have actually connected with Christina on a different level that seemed less superficial.


Four. He seems to be the token hot guy who, for some unknown reason, is not supposed to love Tris. And he tells her that she's not pretty. The dialogue between the two has some glimmers of hope, but it seems like they fall for each other because the author wanted them to. I like when characters fall for each other despite what the reader or the author think and it seems to flow naturally. There was none of that with Four (Tobias) and Tris (Beatrice).


The writing itself isn't bad. A little too sparse at times. And I think Roth also assumes the reader knows what she's talking about. Some times she could have described what was going on better. That being said, there are moments of cliche that really irked me.


The climax is good. Jeanine and Marcus both come in a little late as antagonists. I think Roth could have introduced us to Jeanine a little sooner and then it would have made more sense when the ending comes around.


I've become a skimmer. When a book fails to hold my interest I will skim as much as possible because I still have the curiosity to find out what happens. That being said there are some books that I have no desire to know what happens. This one is not one of them. I wanted to know where Roth was going to take it.


Is it a terrible book? No. Is it in the same boat as The Hunger Games, Unearthly, or Delirium? Definitely not. Those books left me breathless and dying for more, and the writing is of a different caliber in them. I would recommend this for younger readers. In fact, I probably would have loved it if I were 14 to 18 when I read it. I gave it 2 out of 5 Factions.