North of Boston

Woohoo!

Elisabeth Elo’s debut novel introduces Pirio Kasparov, a Boston-bred tough-talking girl with an acerbic wit and a moral compass that points due north.

When the fishing boat Pirio is on is rammed by a freighter, she finds herself abandoned in the North Atlantic. Somehow, she survives nearly four hours in the water before being rescued by the Coast Guard. But the boat’s owner and her professional fisherman friend, Ned, is not so lucky.

Compelled to look after Noah, the son of the late Ned and her alcoholic prep school friend, Thomasina, Pirio can’t shake the lurking suspicion that the boat’s sinking—and Ned’s death—was no accident. It’s a suspicion seconded by her deeply cynical, autocratic Russian father, who tells her that nothing is ever what it seems. Then the navy reaches out to her to participate in research on human survival in dangerously cold temperatures.

With the help of a curious journalist named Russell Parnell, Pirio begins unraveling a lethal plot involving the glacial whaling grounds off Baffin Island. In a narrow inlet in the arctic tundra, Pirio confronts her ultimate challenge: to trust herself. 

A gripping literary thriller, North of Boston combines the atmospheric chills of Jussi Adler-Olsen with the gritty mystery of Laura Lippman. And Pirio Kasparov is a gutsy, compellingly damaged heroine with many adventures ahead. (From Goodreads.com)

I had high hopes for this book. So much so that I made it the book of the month in the book club I run online. I'm not saying it was disappointing, just that I expected more. 

First, the good points.

Pirio is a great heroine. She's flawed but strong. She's witty, compassionate, a little stubborn, free-willed. All those good things that people love in a female lead. Her quips are fun. She's emotional when she needs to be and doesn't come off as spoiled or whiny. 

The storyline is interesting. I love a good mystery and this one seemed to be different than the rest. Which is true. It definitely stands out and I give Elo kudos for trying to break the formula. This book is often compared, in other reviews, to Gillian Flynn's Gone Girl but I don't really see it. 

I'm writing this review after a few months of reading it, but I do remember that the writing was quite excellent. She has a knack for atmosphere and detail. At times, though, I felt it was too weighed down with prose for there to be excitement. I liked the feel of Boston for this book. 

And now the bad news. 

I'm in the navy, and this book deals with some of the navy culture. I'm sorry, but the navy I know wouldn't give two hoots about a woman who survived a cold dive in the water. Least of all a captain in the navy. It felt like that part of it wasn't researched well. That is, in fact, where I began to lose interest. 

The storyline with her annoying, drunkard friend got to be too much. Her friend was someone I wanted to reach into the book and strangle. That's not a bad thing. In fact, that's a sign of a good writer who can create such an emotion in the reader. However, it didn't feel like it served a purpose other than to create depth in Pirio. 

A sure sign of a book I'm not terribly fond of is when I decide it is better to just start skimming. I'm usually pretty persistent and will and have suffered from terrible story lines, just to say I got to the end without skimming. I don't have time for that anymore. I wanted to know what happened, though, so I skimmed enough to know the gist of the ending. 

Perhaps I am too harsh. I would read more of Elo's work in the future. However, if the next project she puts out garners the same result, I'd think twice before reading more. 

The Never List

WOOT!

The cute little seller at Warwick's in La Jolla referred me to this book as I was browsing at the store. She said it had kept her up at night and that she was haunted by it. Strong words for any book. So I bought it. She was right to a point. 

Zan's debut is pretty stunning. It is hard to think this is her first book because her voice is so powerful and smooth. The beginning of the book is fantastically written to a point where I was sucked in immediately. Sarah is a disturbingly mental woman. There's no going around that. Zan builds up her character pretty well even to the point where it almost becomes unbelievable. All the dark and painful experiences Sarah went through is alluded to just enough that you get a taste but not so in-depth that you feel like you're reading trash. As a reader you become very sympathetic toward Sarah. Part of the tension and the thrill of it is the fact that she's not very strong and you worry that she's just not going to be able to pull through. 

At some point, however, the book becomes less intriguing. I'm not sure when that happens. I just know by the end I was less involved. Sarah suddenly becomes more apt to be strong. I love good character development, and I was glad Sarah finds herself at the end, but it just seemed too sudden and easy. This girl was a complete mental case (for good reason) and she breaks out of it too quickly in my opinion. I think it would have been better had she just shown signs of getting healed, rather than suddenly being better. 

People keep comparing this book to Gone Girl. I don't think it's a fair comparison. They're completely different. This is Zan's first book, though, so I suppose it is good on her that her debut is being compared to Flynn's (correct me if I'm wrong) third or fourth novel. Only good things are in Zan's future as she continues to write and prove herself as an author. She is a great new female voice in this genre. I will certainly read more of her work. 

Law of Nines

I just finished Terry Goodkind's new book, the Law of Nines. Before I go on, I will warn there are spoilers in this review.

I loved Goodkind's Sword of Truth series. Finally, some fantasy with depth and vision. What made that series so incredible was the way he mixed in philosophy (the objectivism found in Ayn Rand's books) with a really great and entertaining fantasy tale. Richard and Kahlan, the two main characters in that series, were believable as lovers and as heroes. They both progressed and developed in very natural ways that made the reader get really attached to them. He had created a world that did not seem irrational because it mirrored our own so well except it had magic. The ending of the series was particularly interesting because it was unexpected. Lord Rahl, Richard, ends up sending those who are against his philosophy (the bad guys) to our world. What a cool commentary. Goodkind essentially said, in the end, that those bad people live in our world and they are trying to push the same philosophies here as they were there.

I needed to tell you all that information for you to understand my review of the new book. Now, I had heard that Terry Goodkind was going to write in the thriller genre. I was ecstatic because I don't think that authors should always have to write in one genre. Certainly, if you are a good enough writer, you should be able to write in several genres.

It was a little weird, at first, to realize I was reading Goodkind when all that was happening was on our world and in a modern time. Not only that, the writing quality was nowhere near the quality of the Sword of Truth series. I read a review that called the writing "blocky and strained." I was willing, however, to overlook the lower quality of writing because I believed in Mr. Goodkind.

Then he started throwing in all these hints about the world from his other series. I was shocked and a little excited because it was unexpected. But then I found that the fact that he tied in this book with the other world made no sense. We get 1,000 years worth of history between the end of Sword of Truth to this book in just a chapter. I felt like someone had taken a beautiful painting and written all over it with marker. Oh wait, that's what happens in The Law of Nines not only once, but twice, a detail which was confusing because somehow the bad guy, Radell Cain, had been watching Alex Rahl the whole time.

That brings another point. Alex Rahl. Rahl is Richard's last name. How the hell did a Rahl get to our world? This is a detail Goodkind never addresses. Then, not only that, his love interest is Jax Amnell which is the same last name as Kahlan in the other series. Correct me if I'm wrong but, if Richard and Kahlan got married (which it's not outlandish to think that they did), Kahlan would no longer be Kahlan Amnell. She would be Kahlan Rahl. So...in that case...wouldn't this relationship between Jax and Alex be a form of incest? I was really confused. Her last name was supposed to be some big revelation, but I found myself wrinkling my nose in distaste because of the implications. Whether or not that was intended, I know not.

Moving on. Alex is a nice guy, right? He's your average Joe at the beginning of the novel when he saves Jax from a van that's about to run her over. Somehow, in the midst of all this, Alex goes from regular Joe to a killing machine. There is a gruesome description of Alex strangling a nurse at the psych ward where his mother is being taken care of. The nurse is a bad lady, but this is one of the first acts of violence in the book. It makes me less sympathetic to Alex simply because we have not seen the bad guys do anything really terrible up to that point.

Another thing. The action scenes drag on forever. And I found myself skimming a lot toward the end because I wanted to get to the main point of the story. It took forever for the climax to come around and it was disappointing. It all felt like a rehash of The Wizard's First Rule. Well, more like a cheap imitation of it because WFR is fantastic. This book is just mediocre.

I guess I could sit and nitpick at the book all day long. Kudos to Goodkind for trying to get out of the fantasy realm. I've been trying to figure out if it is best to read this book without having read the other series, or if you should read SoT and then read this book. I don't know. This book relies so heavily on you understanding what happened in SoT that it would be even more confusing if you had not read them.

So...I would only recommend this book if you're a die-hard Terry Goodkind fan. I am still a fan because he was able to produce an amazing series, but I hope his next book is not as hard to get through as this one was. It was entertaining, but not worth getting excited over. I kind of hope he returns to fantasy. We shall see.

Here are the links to some other reviews on this same book:

Entertainment Weekly

The Sword of Truth.com

The Book Reporter